For those interested in what my husband does in his spare time, or those interested to hear what style of metal I deemed “pretty” enough to actually purchase at a live show several years ago. As my friend Sean put it, “SHE NEVER DOES THAT.”
“Why has Tumblr become the go-to platform of this moment? As we saw in Iran, Twitter can be a powerful broadcast tool for delivering minute-by-minute accounts of breaking news and amplifying concrete messages (“Down with Ahmedinejad”). And in Egypt, Facebook was pivotal for recruiting protesters and scheduling rallies in Tahrir Square. But Tumblr has served neither of these purposes for Occupy Wall Street, a diffuse and leaderless movement with a deliberately undefined goal. Instead, Tumblr has humanized the movement. Tumblr is a powerful storytelling medium, and this movement is about stories—about how the nation’s economic policies have priced us out of school, swallowed us in debt, permanently postponed retirements, and torn apart families. We Are the 99 Percent is the closest thing we’ve had to the work of Farm Security Administration—which paid photojournalists to document the plight of farmers during the Great Depression—and it may well go down as the definitive social history of this recession.”—Is Occupy Wall Street the Tumblr Revolution? (via markcoatney)
"Exhibit C. To the villainy-of-the-rich theme emanating from Washington, a child is born: Occupy Wall Street. Starbucks-sipping, Levi’s-clad, iPhone-clutching protesters denounce corporate America even as they weep for Steve Jobs, corporate titan, billionaire eight times over."
A conservative writer wouldn’t even respect the memory of a recent deceased in order to find, with his mouth rabidly drooling, an argument against subversive protesters. It’s called lack of professional ethic and there is no cure for that.
“I’ve recently been thinking that a considerable portion of what I find the most detestable in contemporary commercial filmmaking can be summed up in a single trend: exploitation movies that go out into the world as “serious” art movies,. Admittedly, two very early examples of this trend in talkies, Lang’s M and Hawks’ Scarface, are two of the greatest movies ever made, though neither of these can be accused of stroking and glorifying the audience’s hypocrisy. But ever since the Godfather pictures, it seems, artiness has been working overtime as a kind of built-in alibi for many of the baser impulses in the audience –- various kinds of cynicism viewing corruption as inescapable, everyday, and deeply profound (e.g., Avatar, The Girlfriend Experience, Contagion), extreme violence as a function of specious and hypocritical morality (or, even worse, “sensitivity,” as in Drive – or, for that matter, The Passion of the Christ), gimmicky temporal structures (e.g., Tarantino, Memento, Babel) or fatuous psychologizing that are somehow supposed to dignify various forms of boorishness or nastiness (ranging from McQueen’s sexist complacencies and brutalities in Shame to von Trier’s dubious and ongoing validation of his own depression as a practical tool for coping with glitzy catastrophes and atrocities of his own making), and even the sort of Oscar-mongering that can cast a liberal activist (Woody Harrelson) as a racist thug (Rampart) to show us how “complex” the modern world is supposed to be.”—
Rosenbaum Smackdown (from his review of The Kid with a Bike)
So true. I can’t never express how much I hate Tarantino and his little sect of exploitation exploiters. Unable to express anything but quotes, repeatedly trying to destroy the memory of all that it was good in cinema with their mediocrity and cheap vulgarity.
Six people were arrested in the Senate’s Hart office building on Tuesday, after protesters affiliated with the “Occupy D.C.” movement began chanting loudly and unfurling banners calling for the end of overseas wars and for increased taxes on the rich.